just a few thoughts on death being the Ultimate Pleasure:
Freud believed that humans were driven by two conflicting central desires: the life drive (libido) (survival, propagation, hunger, thirst, and sex) and the death drive (Thanatos). Freud's description of Cathexis, whose energy is known as libido, included all creative, life-producing drives. The death drive (or death instinct), whose energy is known as anticathexis, represented an urge inherent in all living things to return to a state of calm: in other words, an inorganic or dead state. Freud recognized Thanatos only in his later years and developed his theory on the death drive in Beyond the Pleasure Principle. Freud approached the paradox between the life drives and the death drives by defining pleasure and unpleasure. According to Freud, unpleasure refers to stimulus that the body receives. (For example, excessive friction on the skin's surface produces a burning sensation; or, the bombardment of visual stimuli amidst rush hour traffic produces anxiety.) Conversely, pleasure is a result of a decrease in stimuli (for example, a calm environment the body enters after having been subjected to a hectic environment). If pleasure increases as stimuli decreases, then the ultimate experience of pleasure for Freud would be zero stimulus, or death.
Interesting at least.
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In Barrie's play and novel, the roles of fairies are brief: they are allies to the Lost Boys, the source of fairy dust and ...They are portrayed as dangerous, whimsical and extremely clever but quite hedonistic.
"Shall I give you a kiss?" Peter asked and, jerking an acorn button off his coat, solemnly presented it to her.
—James Barrie
Wimminfolk they be tricksy. - ZenGum
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