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#1 |
professional bowler
Join Date: Feb 2004
Posts: 134
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Antony and the Johnsons.
I want the whole world to love them. |
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#2 |
Esnohplad Semaj Ton
Join Date: Feb 2005
Location: A little south of sanity
Posts: 2,259
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The Corrs - Dreams, and Best Of
Dido - Life for Rent 10,000 Maniacs - MTV Unplugged Shakira - Laundry Service Cranberries - No Need To Argue Alanis Morrisette - Jagged Little Pill Acoustic This is women with strong voices and accents night. |
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#3 |
erika
Join Date: Apr 2006
Location: "the high up north"
Posts: 6,127
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Playing In The Band, Madison, WI - Grateful Dead.
Yes, the 24:35 version.
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not really back, you didn't see me, i was never here shhhhhh |
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#4 |
Master Locutor
Join Date: Jan 2007
Posts: 153
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"The Best Of Van Morrison" and some Radiohead.
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#5 |
Gamehenge
Join Date: Feb 2005
Location: Halifax, NS
Posts: 168
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Phish Live- Mike's Song
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It's Really Plain and Easy To See, The Family grows like fungus on a tree. |
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#6 |
spring of my discontent
Join Date: Jan 2007
Posts: 45
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Young Love's new CD, a few songs by New Young Pony Club, and some other miscellaneous indie rock.
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#7 |
Elite Elitist
Join Date: Apr 2006
Posts: 341
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![]() Robin McKelle, the new jazz phenomenon «made in the USA». Her first album is already a «best seller» in USA. Critics compare her voice to Sarah Vaughan and Ella Fitzgerald! It’s a remarkable voice -- a soul-infused alto tinged with haunting echoes of the postwar jazz greats. For years, Robin McKelle, has inched closer to her inevitable destiny with the spotlight. Having shared stages with revered artists such as Herbie Hancock, Wayne Shorter, Terence Blanchard, Michael McDonald, Jon Secada and others, McKelle now assumes center stage with a debut solo album that exuberantly broadens the boundaries of retro-swing. Produced by trumpeter, arranger and clinician Willie Murillo (Brian Setzer Orchestra, Aimee Mann, LeAnn Rimes), Introducing Robin McKelle evokes the jazzy spirit of 1940’s America, while retaining a contemporary edge. With its well-struck balance of potent swing and fearlessly sentimental balladry, the album heralds the arrival of a peerless interpretive artist. Follwed by: ![]()
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#8 |
erika
Join Date: Apr 2006
Location: "the high up north"
Posts: 6,127
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Shareef don't like it!
Rock the casbah, rock the casbah
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not really back, you didn't see me, i was never here shhhhhh |
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#10 |
Franklin Pierce
Join Date: Oct 2006
Location: Minnesota
Posts: 3,695
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Diary Of Jane - Breaking Benjamin
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#11 |
Elite Elitist
Join Date: Apr 2006
Posts: 341
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![]() Musicians: Mulo FRANCEL - saxophones, clarinet Robert WOLF - guitars D.D. LOWKA - basses, udu drum Andreas HINTERSEHER - accordion Description: After three acclaimed recordings released in North America, Justin Time continues its association with Munich-based musicians Quadro Nuevo for a fourth, with the arrival of their stunning new opus, Tango Bitter Sweet. Whether visiting the rich repertoire of Italian street songs (Canzone della Strada), or exploring the cultural and geographical roots of coffee (Mocca Flor), Quadro Nuevo, appealingly armed with acoustic guitar, bass, accordion and saxophone, are never less than enchanting. Tango Bitter Sweet makes musical stops in Havana, Buenos Aires, Naples, Venezuela and Paris. Each tune is inflected with the mood-altering, cinematic musical flavors that have endeared Quadro Nuevo to listeners all over the world. European critics have called Quadro Nuevo “an acoustic pleasure” (Stereoplay) and “dynamic, rich in detail, highly recommended”.
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#12 |
erika
Join Date: Apr 2006
Location: "the high up north"
Posts: 6,127
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Polaris - Music From The Adventures of Pete and Pete
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not really back, you didn't see me, i was never here shhhhhh |
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#13 |
trying hard to be a better person
Join Date: Jan 2006
Location: Brisbane, Australia
Posts: 16,493
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Rain on the Roof
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Kind words are the music of the world. F. W. Faber |
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#15 |
Elite Elitist
Join Date: Apr 2006
Posts: 341
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Playing at 2pm eastern....
![]() With their first studio album “The art of Cherry” jazz trio Fat Kid Wednesday showed that Don Cherry was the founder element of their music. The FKW trio—Michael Lewis on saxophone, Adam Linz on bass and JT Bates on drums—have been called musical storytellers, and indeed a conversational style exists in the rhythm section, punctuated nicely with exhilarating licks from Lewis. The threesome takes the crazy risk to "believe" in the virtues of the eternal regeneration of this music. Rejecting most of the options of those who carry on playing jazz as a "game" (mannerist distanciation, academic deference), the Fat Kids find naturally some essential values (lyricism, vital energy, commitment) and sign a music that is so strongly anchored in the present that it touches timelessness.
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